https://devlaravel.imosver.com/en/libros/conversaciones-con-maryni-callejo-la-primera-productora-del-pop-espanol-CIM0062957CIM0062957Conversaciones con Maryní Callejo. La primera productora del pop español19Maryní Callejo comenzó en la producción discográfica (¡dirigiendo a Los Brincos!) en un tiempo en que era impensable que una mujer realizara ese trabajo. Fue la primera productora del pop español, y lhttps://static.arnoia.com/imagenes_small/9788495/978849574980.jpgLibrosLibros/MUSICAEn stockEFE EME000https://static.arnoia.com/imagenes_small/9788495/978849574980.jpgCIM002957920512025/06/259788495749802Zecco, EstherLibrosaño_2025idioma_SpanishCformato_Tapa blanda o Bolsilloautor_Zecco, Esthersaga_Biblioteca Efe Eme
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Conversaciones con Maryní
Zecco Esther
EFE EME
MUSICA
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Synopsis Conversaciones con Maryní Callejo. La primera productora del pop español
Maryní Callejo comenzó en la producción discográfica (¡dirigiendo a Los Brincos!) en un tiempo en que era impensable que una mujer realizara ese trabajo. Fue la primera productora del pop español, y la única durante décadas. En este libro decide hablar casi por vez primera.Maryní Callejo es algo así como el secreto mejor guardado del pop español. Pionera en la producción discográfica, en 1964 lideró el lanzamiento de Los Brincos, un trabajo impensable para una mujer de aquel tiempo, en una industria dominada por hombres, cuando la propia figura del productor musical era toda una rareza. También arreglista, compositora y pianista de formación clásica, su meteórica carrera la llevó a colaborar con artistas como Massiel, Los Relámpagos,Marisol, Nino Bravo, Fórmula V,Mari Trini o Rocío Dúrcal. Su discreción iba unida a esa actividad que suele permanecer en la sombra, en los locales de ensayo o estudios de grabación, creando el arreglo que daba entidad a una canción, componiendo la línea melódica, ese detalle que la convertía en un hit o dirigiendo a músicos de primer nivel. Maryní Callejo, tras una